Scene 1:
- Wagner reveals that Faustus is nearing the end of his 24 years. He is sharing a last supper – parallels with the Bible, but yet this is the complete opposite. Faustus is going down to hell, rather than up to heaven.
- ‘Belly-cheer’ – associated with the lower class, Faustus is going ‘back to his roots’. Also the theme of greed again – ‘glutted’ etc.
- ‘Belike the feast is ended.’ – metaphorical for Faustus’s life.
- Faustus is asked to conjure up Helen of Troy.
- An Old Man enters. He could be the morality figure of the play as he is focussed on God and decency and resists the devil.
- ‘Where art thou Faustus?’ – Faustus is having an epiphany? Yet he could also be sarcastic due to the punctuation used.
- Mephistopheles hands him a dagger – this could be an act of kindness. He is allowing Faustus to take control of his death – he can choose when he dies, rather than waiting on Lucifer.
- ‘I go sweet Faustus’… ‘Sweet Mephistopheles’ – the characters are closer than ever. Comparable qualities or personalities they share?
- Helen of Troy is conjured again.
- Faustus makes the most beautiful speech within the play; full of beauty and emotion – we have never seen this aspect of Faustus’s personality before. Is this his desperation to be ‘human’?
- However, this part of the scene is upsetting as Faustus can only raise a vision, not the actual person. His pleasure is unfulfilled.
Scene 2:
- The scholars ask what ails Faustus.
- ‘Faustus’ offence can ne’er be pardoned’ – Faustus knows what will come of him and has lost all of hope of ever trying to regain his humanity.
- ‘The serpent that tempted Eve’ – Biblical reference, fall of humanity – just as Faustus has done. He was tempted by the idea of knowledge and power.
- The scholars promise to pray for Faustus – could also be morality figures of the play. Show forgiveness and hope.
- Page 109 – Faustus’s speech links with his first speech through the quoting of Latin, yet they are both drawn apart from the hugely different situation.
- ‘Thunder and lightening’ – typical Gothic convention of the weather. Pathetic fallacy.
- ‘My God, my God’ – Faustus’s vision which show him he is moving further and further away from heavenly bliss into eternal torment.
- ‘Adders and serpents’ – the devils in monstrous form that have come to take him.
- ‘Ugly hell’ – the entrance to hell itself.
- ‘Ah Mephistopheles!’ – Faustus’s last cry before he is dragged down to hell. Is this him calling out to his companion to save him?
Epilogue:
- The Chorus tell us of Faustus’s wasted potential.
- The Chorus treat Faustus’s fate as a warning to the audience – the Chorus could now also be the morality figure of the play?
So, do we have a typical gothic ending? Is there anything left ambiguous at the end?
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